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Mousse Contemporary Art Magazine

Contemporary Art Magazine and Publishing House
Mousse Magazine and Publishing
  • Emanuela Campoli and Galerie Allen are pleased to announce Laëtitia Badaut Haussmann’s solo exhibition Le coeur et les poumons. Each space will host a distinct part of the exhibition: Poumons at Galerie Allen, Cœur at Emanuela Campoli. The two vital, interdependent organs evoke two strands of Badaut-Haussman’s ongoing research: her iconographic investigation on the tobacco industry
  • In Kristi Cavataro’s new body of work, form has begun to behave differently. What once appeared as modular systems—composed of repeating units—now thickens, bends, and tapers with a strange, urgency. They emerge without fixed identity, yet fully articulated, site-specific, body-aware, responsive. Her glass sculptures pull away from diagram or architecture, into something more fluid, sensuous,
  • Mary Heilmann returns to Hauser & Wirth’s Zurich gallery on Limmatstrasse with an exhibition of more than 30 drawings made between 1975 and 2005. Expanding on the artist’s exhibition of works on paper, “Daydream Nation”, at Hauser & Wirth New York last year, this presentation continues the recent in-depth exploration into Heilmann’s long-standing drawing practice
  • In her practice, Anna Franceschini explores the multiple ways of displaying commodities. Underlying her observation of reality is cinema through its constituent elements: movement, light, framing, and editing. Performances, Xerox copies, kinetic sculptures, “bachelor(ette) machines”—which inject femininity into the Duchampian idea of apparatus—are, for the artist, “a cinema by other means.” Reversing the ends of
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