Mousse Contemporary Art Magazine

• Ian Waelder “thereafter” at Kestner Gesellschaft, Hannover

  In his exhibition thereafter, Ian Waelder unites the facade, atrium, and arcade hall of the Kestner Gesellschaft for the first time into a single spatial narrative, in which institutional threshold spaces are connected with familial, material, and historical shifts. His artistic practice begins at the margins of what can be remembered. Instead of designing self-contained

• Ambera Wellmann “Darkling” at Hauser & Wirth, New York

  The mood here and now is apocalyptic, nuclear heat, climate cataclysm, the end. Death appears to be thrashing towards us, as opposed to us moving calmly and expectedly towards her, following in the footsteps of everything that’s ever been alive. This sense of doom thickens time and its passage, sometimes it runs slippery, others it

• “Burn The Diaries, Read Them Out Loud” at Kunsthalle Wien

  “Burn The Diaries, Read Them Out Loud” is an exhibition incorporating a programme of performance, readings, discussions and exchange with a focus on text in the field of contemporary art. Conceived as a group exhibition in progress, artworks installed at its inception will be in dialogue with numerous performative interventions taking place at and around

• Laëtitia Badaut Haussmann “Le coeur et les poumons” at Emanuela Campoli and Galerie Allen, Paris

  Emanuela Campoli and Galerie Allen are pleased to announce Laëtitia Badaut Haussmann’s solo exhibition Le coeur et les poumons. Each space will host a distinct part of the exhibition: Poumons at Galerie Allen, Cœur at Emanuela Campoli. The two vital, interdependent organs evoke two strands of Badaut-Haussman’s ongoing research: her iconographic investigation on the tobacco industry